Pau loves cinema. In his doctoral thesis, he asks himself how to use film making as a method of investigation. For this intent, he starts shooting a nonfiction film about a Capuchin monk community while he documents the creation process itself. Then, he realizes that his doctoral thesis has turned into a film about the film of the Capuchins. So, the thesis becomes the film and the film becomes the thesis.
|Script||Pau Pericas, Manel Carrasco|
|Producers||Laia Zanón, Patricia Franquesa|